It’s a combined Firewire audio interface and control surface for software digital audio editors, with banks of lighted buttons, numerous knobs, and nine motorized faders. Like the FW-1884, the FW-1082 was co-developed by TASCAM and Frontier Design Group. TASCAM’s FW-1082 is the little brother of the company’s FW-1884 digital audio workstation control surface. “That’s the TASCAM FW-1082,” he explained, “It’s small and cheap and convenient, and I like it.” Patrick tends to know his stuff, so that was certainly enough to pique my interest and motivate me to get my hands on one for this month’s RAP review. It was with some surprise that I noticed a new mixer in his room among the keyboards and guitar amps. Patrick is a composer who writes music mostly for television, where the timelines are short and deadlines loom large. A few weeks ago I visited my buddy Patrick as he settled into his recently-refurbished digs at the studio where he works.
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